西安絲路國際會議中心

西安絲路國際會議中心夜景鳥瞰 ? CreatAR Images

西安絲路國際會議中心夜景 ? CreatAR Images

陽光透過幕墻 ? 是然建筑攝影

每每品讀一座建筑，就如同聆聽一首建筑之空間、形式、結構、技術、尺度等的協奏曲，隨著樂章如畫卷般展開，音樂之思想直擊人心。此次“AT建筑”推出的西安絲路國際會議中心，就是這樣一個令人回味的作品。在富于簡潔性、秩序感、現代性的建筑形式背后，蘊藏著一種融藝術于技術之中的無限張力。在傳統與現代、莊重與純凈、深厚與簡潔的碰撞中，這種張力不僅在于微微起翹的上下月牙與其間有序排列的立柱形成的優雅立面中，更在于巨型鋼結構桁架體系懸挑的超大尺度上月牙與懸掛的雙排受拉立柱中；不僅在于飄浮的下月牙、均質柱廊與玻璃幕墻的輕盈、通透中，更在于懸掛體系精確的力流傳遞和尺度控制中；不僅在于小會議廳圍繞中心3 層大會議廳的中正布局中，更在于九宮格的巨構式結構體系中；不僅在于超大、超高的無柱空間與純凈界面中，更在于依托結構系統的多專業高度整合中。就在這形式與技術的交互中，建筑師與結構工程師完美合奏了一曲令人感喟的復雜而獨特、理性又詩意的建筑藝術之歌。

Reading an architecture is like to ad–mire a concert of architecture composed of space,form,structure,technology and scale.As the movement spreads like a pic–ture scroll,the idea of music directly strikes people's heart.Xi'an Silk Road International Conference Center is such an evocative work.Behind the architectural form of simplicity,order and modernity,there is an infinite tension in the integration of art and technology.In the collision between tra–dition and modern,solemn and pure,pro–found and simple,the tension lies not only in the elegant facade formed by the slightly arched upper and lower crescent and the orderly arrangement of columns,but also in the super–large upper crescent and the double row of suspended tension columns of the giant steel structure truss system.It is not only in the floating lower crescent,the lightness and transparency of the homoge–neous colonnade and glass curtain wall,but also in the precise force flow transmission and scale control under the suspension sys–tem.It is not only in the central layout of the small conference hall around the three–story large conference hall,but also in the giant structure system of the nine–palace grid.It is not only in the super–large and ultra–high column–free space and pure interface,but also in the highly integrated multi–specialty relying on the structural system.In this in–teraction between form and technology,the architects and structural engineers perfectly work together to play a song of complex and unique,rational and poetic architectural art.